ABOUT

A man with glasses, a beard, and styled hair wearing a multicolored plaid jacket, looking to the side with a serious expression.

My passion for photography was sparked as a kid through the pages of i-D magazine.
It was the first time I realised that photography could do more than document a moment,
it could shape how we see people, places, and the world around us.

That curiosity has stayed with me ever since. Today, I work with brands, cultural organisations, and editorial clients to create images that feel honest, human, and emotionally grounded. Whether I'm photographing a campaign, documenting life inside a historic space, or directing moving image, I'm always looking for the moments that can't be manufactured, the small gestures, quiet interactions, and fleeting expressions that make a story feel real.

I move between stills and motion, drawing on a documentary sensibility and a cinematic eye to create work that invites people to stop, look closer, and connect.

I studied for my MA in Fine Art at Brighton University, where I immersed myself in photography, film, sound, and sculpture. That multidisciplinary mix still defines the way I work today - curious, playful, and always exploring new ways of seeing.

I keep an eye on how my work impacts the world around me. Being mindful of the environment is important, so I’m always up for finding ways to make shoots run a little lighter and more sustainably.

I recently won Gold in Fashion and Silver in Portrait at the 40th AOP Awards and in 2022 my work received major recognition when I won the Professional Portfolio category in the Sony World Photography Awards. I have also won Portrait of Britain‍ ‍Five years in a row, and twice Portrait of Humanity.

You can read my interview with Victoria Cagol (Loup Magazine) discussing my 'Lightness of Being' series with artist Darvish Fakhr.
A short Q&A with Nina Fisher about my practice.
And my ‘Always and Never at Home’ project interview with Ninu Nina

Clients include: Meta, Accenture, Canon, Lloyds, Which?, Novartis, Tesco Bank, Marriott, M+F Health, WIRE, Verri Media, National Trust, National Lottery, TFL, HCA Healthcare, B&Q and The Old Royal Naval College.

I work as a Director of Photography on brand films, social campaigns and short-form storytelling, bringing a photographic eye to moving image work through Pinkie Films. I co-founded Pinkie Films with writer and director Ross Jameson, where I work as Director of Photography. Together we've made all sorts - from brand films and social pieces to short and long form films.

My work has been exhibited in a number of places, including Somerset House, Sony Imaging Gallery, Tokyo, Japan, Fotofestival Lenzburg 2022, Lenzburg, Switzerland, Fondazione Stelline, Milan, Italy, Busan International Photo Festival, Seoul, South Korea, artexarte, Buenos Aires, Argentina, MOPA, San Diego, US, Willy-Brandt-Haus, Berlin, The De La Warr Pavilion, Bexhill, Format Festival, Derby, Brighton Photo Fringe, Async Art, OpenSea, The Foundry Gallery and The Phoenix Art Space.

And featured in a number of publications, including The Independent, The Guardian, Wire magazine, DJ, Carlson, Loupe, Marie Claire and Bazaar.

Accredited member of the Association of Photographers

Lloyds Bank logo with black horse and green text
Cartoon illustration of a pig smiling and holding a green gift box with a yellow ribbon.
The image features a black background with a stylized, purple, right-facing 3D arrow or chevron.
A pixelated red and black computer chip design on a black background.
Large dark gray text spelling 'WIRÉ' on a transparent background.
Text reading "Storythings" on a black background with a vertical line separating the words
Meta logo with blue infinity symbol and the word Meta
Tesco logo with red text and blue underline on a black background.